Wait. We need this before we can start talking.
Okay now that I’ve gotten Donna Summer out of my system(for now), I’m excited to share that my new play “Your Heart is a Radio” is getting ready for staged readings! It’s been a year in conception and writing so it feels good. Did I say excited? I meant terrified. After all, it’s not really theatre unless you’re scared shitless, right? The crazy thing about this show is how personal it got during the writing process. Like split open my insides, put lights around them and throw them inside-kind of personal. But before we go any further, I need to tell a Fleetwood Mac story.
On the morning of my 26th birthday in Los Angeles, I loaded up my beautiful but hyper dog and took him for a hike. It was one of those perfect beautiful LA days and my drinking felt like it was under control (ha ha ha) and my relationship hadn’t gotten terrible so that morning was pretty fantastic. On the way up the canyon, I listened to one of LA’s classic rock stations. Before playing the above song, the dj, one of those guys with a gravely voice and endless rock knowledge, told the heartbreaking story of how “Sara” by Fleetwood Mac was written. At the time, Stevie Nicks claimed the song was about a friend she had loved and lost (It would later be revealed that Sara was about a baby she had with Don Henley and lost making the story even sadder.) The dj’s story was impactful to me for some reason as I parked the car. I then just sat there and listened to the song and felt incredibly moved.To this day I cannot hear that song and not think of that morning, that birthday, that moment.
Flash forward 16 years later, at age 42 my husband and I were having a conversation about writing and he said, “Music has such a profound impact on you. You should write a show about it.” He’s one of my most succinct collaborators and as a director he has an insight into theatre that I don’t. At the time, I thought, Hmm that could be interesting but didn’t know how or what I’d do exactly. This lead to thinking about the moments and the songs I’ll never forget, like “Sara” on my birthday or the time I was blaring Tom Petty and again with Stevie Nicks and got into a car accident with my sister
Or listening to the Promise by When In Rome on repeat and pining for a douchey, hipster goth guy.
Or dancing to “Thinking of You” high on ecstasy as the sun came up.
Turns out my life was filled with these moments and I suspected other people’s were too. Like Donna Summer, my life, my loves everything could be heard on the radio. So I took to Facebook and asked,”What’s that song the immediately takes you back to a place or memory?” Suffice it say, my suspicions were right. Over 100 people responded with touching, funny, bizarre stories. It was then I knew I was onto something.This wasn’t about the best song or your favorite song it was about music impacting your life and your life happening while music was on. The responses were genuine and really inspiring. I started really writing the show, with the help of my writing group, in January. Piece by piece the show came together as s series of monologues that I starting calling Your Heat is a Radio, a monologue mixtape”. As my own memories of songs shaped the monologues, the show got really personal. And scary. Like I said at the beginning of this post, terrifying. Putting that much of your soul out there is freaking intense and I clutched onto the script and didn’t want to let it go. Until this week.
My plan was to have the show up in October. Pneumonia had other plans, however, forcing the show–and all writing into hibernation. Feeling better and ready to finally birth this darn thing, I got the courage and opened the document. Turned out, it was in excellent shape. (I mean aside from needing an ending and having whole portions rewritten or tossed out completely. Aah theatre.) I dove back in this week and it felt good. Of course I had the requisite, “Oh my God. This is horrible and it should never see the light of day” but that’s art for you. Being sober has taught me to not pay too much attention to the voices of fear. I can hear them and acknowledge they’re in the room wreaking havoc, give them the finger and keep going. My story, this story has merit and deserves a life so fear can suck it. I’m now planning on a staged reading in spring and submitting it to some festivals. The cool thing about theatre is once it gets in front of people it stops being about me. The audience gets their own relationship with it and takes it somewhere else. And I love that. At the end of the day, I’m proud of it and I’m proud of me and that’s fucking huge.